Saved Records present Saved 110: The Tel Aviv Garden Remixes, featuring Shlomi Aber’s 2006 Original Mix, in addition to label boss’s Nic Fanciulli’s remix that adds some further drama to an already thumping track. always hypnotic, always hungry for more knowing in order to succeed and survive anything, the venom and vehemence of the night must be embraced arms open wide!
The dance-floors have clearly been visualized when completing these songs. Not once does track one, the original and initial take of when the garden party grows truly blooms with boys and girls, loose it’s cool and gets confused amongst the network of beats and stuttering laser-beams that blast through the sky with an immense quality. Of course, atmosphere is provided in the lack of sound; the science-fiction climaxes of synth sirens that keep everybody’s eyes open and everybody on their toes with an exotic and almost erotic sensation. The bass bubbles in a battle of dark and light, the keyboards boil and form a delicious fermentation adding energy and intensity to a tune destined to desire, and desires to be nothing but loud and free before too much movement splits the capstone in twine with a beaming smile.
The remix still keeps this notion in mind. There is still plenty of imagination and invention to work with; but not too much has been twisted different so the first track is absolutely obsolete. However, the menacing blues keyboard riff that crawls the walls and climbs the stairs with a disturbing rapidity, satanic creep of noises that sound like gasses from a futuristic space-ship or pulsating electronic misfits of suburban soundtracks add a different way of lacing the tracks loose ends together. Relaxed but highly deep and fierce, a fun sense of oddness all love and hate letting go of when the instruments manage to levitate just a few feet above the floor as the volume dials are turned up one more space and everything in sight begins to flutter and shudder to couple of tunes that have their own way of shuffling in a radiating cocksure acuteness for detail.
You can purchase the tracks here.
Ryan Walker
